John Newbery: Instruction with Delight

Sometimes prestigious awards are named after some pretty sketchy people (Pulitzer and Nobel come to mind). But after learning more about him, I’ve concluded that John Newbery (1713 – 1767) deserves to have his name associated with the most prestigious award in children’s book writing.

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As every children’s book author, librarian, and publisher knows, the Newbery medal is awarded annually to the author of the best American children’s book. (The Caldecott goes to the best illustrated book.) This year’s hugely deserving recipient went to Katherine Applegate for her fantastic The One and Only Ivan (which you really, really ought to read if you haven’t yet).

So, want to know a little more about John Newbery? He was an 18th century writer, publisher, and patent-medicine manufacturer; he was a big fan of Locke and Rousseau, and he published children’s books during the height of the English Enlightenment.

Newbery was not the first children’s book publisher. But he was the first who actually seemed to—cough—like children. Before Newbery arrived on the scene, the few books in existence that were aimed at kids mostly threatened eternal hellfire and damnation for misbehavior, with cheery titles like: A Token for Children; Being an Exact Account of the Conversion, Holy and Exemplary Lives, and Joyful Deaths of Several Small Children.” (James Janeway, 1671)

Newbery, in contrast, was heavily influenced by Enlightenment thinkers like Locke and Voltaire. His first children’s book was A Little Pretty Pocket-Book (1744) and its motto was Delectando monemus (instruction with delight). Its author is anonymous but is generally believed to have been Newbery himself.

Rather than terrifying kids into submission, Pretty Pocketbook preyed on kids’ self-interest. It promised “to teach Children the Use of the English Alphabet, by Way of Diversion.” It promised kids that if they said their prayers, studied hard, and bowed when their parent walked into the room, they’d one day “ride in a coach and six” and would “know how to behave so as to make every Body love them.”

Screen Shot 2013-02-27 at 7.28.59 AMNewbery was also a savvy marketer. He transformed the book trade from expensive volumes owned by the aristocracy to mass-market capitalism. He advertised heavily, plugged his other products in his books, and offered discounts to teachers and booksellers who bought his products in bulk. He was the first children’s publisher to employ a staff of decent illustrators. He published a variety of genres besides children’s books, including how-to books for housewives, dictionaries, and the works of Voltaire.

Pretty Pocketbook cost just sixpence, but for eightpence, you could get it with a ball and pincushion “the Use of which will infallibly make Tommy a good Boy, and Polly a good Girl.” And he even threw in “A Little Song-Book.”

Screen Shot 2013-03-08 at 9.05.05 AMNewbery got rich not so much through his publishing business, but by his patent-medicine products. In 1746 he patented, manufactured and sold Dr James’s Fever Powder, and advertised it as effective against gout, rheumatism, scrofula, scurvy, leprosy, and distemper (in cattle). Newbery pretty flagrantly worked brand endorsements into his literature. In his popular The History of Little Goody Two-Shoes (1765) (the first-ever children’s novel), the main character is orphaned when her father is “seized with a violent fever in a place where Dr. James’s Fever Powder was not to be had, and where he died miserably.”

Screen Shot 2013-03-08 at 9.02.31 AMNewbery’s books became popular in America as well, enthusiastically endorsed and imported by Benjamin Franklin. (The images posted here are from the American editions of Newbery’s books.)

 

reference: Jonathan Rose, “John Newbery,” The British Literary Book Trade, 1700 – 1820, pp 216 – 228 Detroit, MI: Gale Research, 1995
Images from Library of Congress: http://lcweb2.loc.gov/cgi-bin/ampage?collId=rbc3&fileName=rbc0001_2003juv05880page.db

 

 

 

Say What?

Social reformer and co-creator of Marxism (with Karl Marx) Friedrich Engels (1820 – 1895) could speak 24 languages.

 

Kidnapped By Pirates

I’ve written before about the Barbary pirates, but to sum up who they were in a nutshell: After Ferdinand and Isabella kicked the last of the Moors out of Spain, in the late 1400s, many of the Moors joined forces with the Barbary states—Tripoli, Tunis, and Algiers—all parts of the Ottoman Empire. These understandably-disgruntled Moors became pirates who preyed on Christian ships. Piracy in the southern Mediterranean became a huge problem from the 16th to the 18th centuries.

Miguel_de_Cervantes_2One of the more famous hostages taken by the Barbary pirates was Spanish writer Miguel de Cervantes (1547 – 1616), who was captured by Albanian buccaneers in 1575. He was never a wealthy man—far from it. But he had fought bravely as a soldier in a recent battle with the Turks, and happened to be carrying letters from a duke to the King, recommending him for promotion. So his captors believed that the young Spaniard was more important (and valuable) than he actually was. As a result, the pirates set his ransom price very high. He was sold into slavery in Algiers. After five years in captivity, his family finally managed to raise the exorbitant price for his release, and he was ransomed in 1580. Twenty five years later, he published part one of his masterpiece, Don Quixote.

 

Juan de Jáuregui Miguel Cervantes,  via Wikimedia Commons

Tally-ho, Comrade!

Friedrich Engels (1820 – 1895) was a prominent businessman who worked in his family’s textile trade by day and became co-author with Karl Marx about the evils of capitalism by night. He also enjoyed fox hunting.

Lubbers

The abbreviation for pound as “lb” comes from the Roman/Latin phrase libra pondo.

 

Flag This

British_sailors_boarding_an_Algerine_pirate_shipI’ve often wondered about that classic totem of pirate lore, the Jolly Roger. I’d read somewhere that the skull and crossbones on a black background was just the stuff of kids’ stories, that pirates didn’t really use such a flag. Why would they be dumb enough to announce to others that they were pirates, allowing their enemies time to retreat, or to arm themselves for a battle?

Jolly-roger.svgAccording to a book I’m reading right now called Women Pirates by F. O. Steele, pirates did, in fact, raise flags when attacking enemy ships. The skull and crossbones on a black background was just one of many flags pirates favored. Some flags were red, others some other form of black and white. An hourglass meant that time was running out. A dagger announced a tough fight. The idea was to intimidate victims into surrendering without a fight, which could be as messy and deadly for the pirates as for their victims. As pirate captains gained notoriety, they designed their own flags.

Eventually, says Steele, the collection of pirate flags came to be known as the Jolly Roger, which may be a derivation of the French phrase “jolie rouge” (pretty red).

 

By John Fairburn (1793–1832) via Wikimedia Commons
Jolly Roger By Liftarn, ed g2s • talk (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0, via Wikimedia Commons

Georgie Porgie

The obese and unpopular King George IV (1762-1830) is the “Georgie” of this childhood rhyme: Georgie Porgie, pudding and pie, kissed the girls and made them cry. When the boys came out to play, Georgie Porgie ran away.

Aw, Chute.

The parachute was invented between 1480-5 by Leonardo da Vinci, who sketched one in his notebook. In 2000, a skydiver successfully tested Leonardo’s parachute design.

Battle of the Bulge-ing Geniuses

Did you know Michelangelo and Leonardo couldn’t stand one another?

In the first decade of the sixteenth century, the arch rivals were asked to create murals on the same wall of the Council Hall of Florence’s Palazzo Vecchio. The same wall.

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In one corner: Leonardo da Vinci, age 52, already famous for having painted the Last Supper and Mona Lisa.

In the other corner, the young Michelangelo Buonarotti, age 29, who had finished David (1503) but not yet begun the Sistene Chapel.Asor_und_Zadoch_(Michelangelo)_-_Zadoch

Leaders of the city of Florence had just dumped the Medici rulers and had also executed Savonarola (I blogged about him here). The newly installed leader of the city was Piero Soderini (and his counselor, Niccolo Machiavelli—you might have heard of him).

In 1503 Soderini gave Leonardo a commission to paint the 1440 Battle of Anghiari (a famous Florentine victory over Milan). Leonardo began sketching.

A year later, Soderini gave Michelangelo a commission to paint the Battle of Cascina (a war between Florence and rival Pisa from 1364).

Why would Soderini hire the two rivals to paint side-by-side patriotic masterpieces, vast battle scenes glorifying Florence’s victories, in the very same room? He knew they loathed one another. Was he messing with them?

The two artistic geniuses had very different styles. Leonardo was the realist, Michelangelo the idealist. Leonardo was the religious cynic, Michelangelo the champion of heroism.

Leonardo set about sketching a dusty, bloody, epic battle scene full of dead and dying men and horses. Meanwhile, Michelangelo began sketching a stylized scene with naked, muscled soldiers who’d been bathing in a river just at the moment they received a call to battle; they’re rushing to their battle posts. Both were masterpieces in the making.

I wish I could show you these scenes, but the murals were never finished. In 1512, the Spanish sacked the city and restored the Medicis to power. The designs for both murals were destroyed. I have nothing to show you re Michelangelo’s mural. As for Leonardo’s, what little he had actually started painting was later painted over. But a handful of preliminary sketches remain. And then we have Peter Paul Rubens’ copy of Leonardo’s sketch, which Rubens did in 1603. Called “The Fight for the Standard, after a Sketch by Leonardo,” it’s a copy of a copied sketch. It’s as close as we can get to what Leonardo’s original might have looked like. Here it is:

Peter_Paul_Ruben's_copy_of_the_lost_Battle_of_Anghiari
Sources: Jones, Jonathan. “The Lost Battles – CSMonitor.com.” The Christian Science Monitor – CSMonitor.com. N.p., n.d. Web. 9 Feb. 2013. <http://www.csmonitor.com/Books/Book-Reviews/2012/1109/The-Lost-Battles>.
” The extraordinary story of a painting contest between Michelangelo and Leonardo | Education | The Guardian .” Latest US news, world news, sport and comment from the Guardian | guardiannews.com | The Guardian . N.p., n.d. Web. 9 Feb. 2013. <http://www.guardian.co.uk/culture/2002/oct/22/artsfeatures.highereducation>.

Have a Seat

Modernist architect Le Corbusier designed a vacation home that included a toilet in the living area. He considered the toilet “one of the most beautiful objects industry has produced,” and therefore saw no reason to hide it.